BRiTTEN SINFONIA - AND ADDENBROOKES HOSPITAL
Classical music and hospitals? Not the readiest of combinations but it’s what the Britten Sinfonia have created in the sterile space of Addenbrookes, transforming the atmosphere into a magical musical experience for patients. The summit of their year and a half long project arrived with a short lunchtime concert. A long way from the WIgmore Hall ,or indeed the increasingly famous Saffron Hall (but again an original location for an élite ensemble) the Addenbrookes’ experiment has left those involved, staff patients and players, the well deserved sense of having created something entirely new for , wait for it, more than 3000 people.
Ward Sister Catherine Pride says: “Working here at Addenbrooke’s Hospital as a ward sister caring for the older population, we’ve been fortunate to work with members of Britten Sinfonia. We’re seeing that the effect their music has on patients has been magical and inspiring. Watching people clap hands, tap their feet and sing along with the music - the power of musical intervention is priceless.”
Britten Sinfonia flautist Sarah O’Flynn says: “It’s hard to underestimate the value of this creative collaboration between Addenbrooke’s patients and Britten Sinfonia musicians. In a hospital environment, which may be disorientating and isolating, the collective process of creating and sharing music; of listening and being listened to, enables meaningful connection and moments of restorative calm. From my perspective as a participating musician, the mental and physical health benefits for patients (and let’s not overlook the positive impact on their visiting family and friends, as well as hospital staff) are evidently undeniable.”
Chris Bell, Britten Sinfonia’s Director of Learning & Participation says: “We are very proud of our growing partnership with CUH Arts, supported by Addenbrooke’s Charitable Trust and individual donations. Through this residency, we have developed a deeper understanding of the challenges faced by patients and staff and witnessed the unique impact which participatory music-making can have on our mental wellbeing.”